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THIS WEEKEND Thetop ten was littered with new faces as smaller films performed better thanlarger ones. The street racing actioner Need ForSpeed and Tyler Perry's comedy TheSingle Moms Club both underperformed while indie pics TheGrand Budapest Hotel and Veronica Marsjumped onto the list with the best averages. Overall, the domesticmarketplace performed at normal levels for mid-March but it was a cartoonholdover that seized control of the number one spot.
DreamWorks Animation captured the box office crown with its latest filmMr. Peabody & Sherman which declinedby only 32% to $21.8M in its second weekend to lead all films, accordingto final studio figures. The Fox releasehas collected $63.8M in ten days and could find its way to $135M or morein North America which would improve upon recent DreamWorks titles Turboand Rise of the Guardians.
Peabody enjoyed a better secondweekend hold than most previous animated films opening in March includingThe Croods, TheLorax, Horton Hears a Who,Monsters vs. Aliens, and the firsttwo Ice Age flicks. The drop was evenbetter than How To Train Your Dragon'sfrom 2010 which was a durable hit that went on to gross five times itsopening weekend take. The road ahead will not be easy for Sherman,though. Disney attacks this Friday with its heavily-hyped kidpic sequelMuppets Most Wanted followed threeweeks later by Fox's Rio 2.
Selling over 140 million video games apparently means little at themultiplexes. The game-inspired action thriller Needfor Speed disappointed in its debut weekend grossing only $17.8Mfor a $5,729 average from 3,115 locations. Produced by DreamWorks Picturesand released by Disney, the PG-13 film played heavily to young men as expected.Studio research showed that guys made up 70% of the crowd while 56% werein the 18-34 age bracket. 3D accounted for 43% of the gross which was notbad by today's standards on a film like this which is more driven by stuntsthan special effects.
Need For Speed opened with lessthan half of the strength of the original Fast& Furious film which relied on 2001 ticket prices and no3D. That surprise street racing hit debuted to $40.1M and an average ofmore than $15,000 which would be north of $20,000 at today's 2D prices.The CinemaScore on Need was a moderateB+.
Tyler Perry's star continued to fade this weekend as the media mogulsuffered the worst opening of his directing career with TheSingle Moms Club which bowed to $8.1M. That was less than halfof the usual $20M or so that he routinely delivers on the first weekendof most films. The PG-13 pic averaged a mild $4,259 from 1,896 locations- again, low by Perry standards.
Club did earn a good A- CinemaScoregrade and the audience skewed heavily towards adult women. Studio researchshowed that 79% was female and 80% was over 25. After releasing all hisother work, Lionsgate recently decided not to renew its deal with Perry.His last film A Madea Christmas openedto $16M which was by far a new low for that character's films, howeversomewhat understandable for a pic opening during the holiday shopping seasonwhen debuts are generally lower. It did go on to break $50M like all pastMadea flicks. Meetthe Peeples, presented by Perry but not written or directedby him, was a clunker last summer with a $4.6M debut.
Toon hit The LEGO Movie followedwith $7.7M, off 29%, for a robust $236.9M cume for Warner Bros. Worldwidetally is now $378.4M. Fox's Biblical film Sonof God fell 47% to $5.5M and has banked $51M to date.
Wes Anderson's newest offering The Grand BudapestHotel pulled off a perfect expansion jumping from four to 66locations and grossing $3.6M for an eye-popping $55,122 average. Rankingeighth nationwide despite a limited release, Fox Searchlight's indie smashbecame the first film playing in under 100 theaters to hit the nationaltop ten since the director's own Moonrise Kingdomfrom June 2012. With $4.8M to date, Hotelwill expand into 40 new markets next weekend with roughly 300 total theaters.The film has posted numbers even bigger than Anderson's past hits suggestinghis newest has appeal beyond his loyal fan base.
The music-filled juggernaut that is Frozenranked ninth with $2.1M, down only 27%, for a $396.4M domestic haul onits way past the $400M mark, possibly by month's end. Disney's Oscar-winningsmash has now spent its first 16 weeks of wide release in the top ten matchingChicago for the most among all filmsreleased since 1997's Titanic whichspent 15 straight weeks at number one. Overseas, Frozenopened in its final market of Japan with a rare Friday release resultingin a big $9.4M debut weekend ahead of what should be a long run. The overseastally soared to $630.2M for a global haul of $1.027 billion charging towardsa $1.1 billion final. It releases domestically on Blu-ray this week whilesimultaneously being in the top ten theatrically.
Snow sister Anna found herself just outside the top ten as Kristen Bell'sVeronica Mars debuted to $2M from 291theaters for a good $6,833 average. Backed by fans of the television seriesthrough a Kickstarter campaign, the indie film was extremely front-loadedas half of the sales came on opening day with Saturday plunging 39%. Fanswho donated also got a digital copy to download, although many had technicalproblems with that platform. Warner Bros. handled distribution and reviewswere fairly positive.
The top ten films grossed $98.6M which was up 6% from last year whenOz the Great and Powerful stayed atnumber one with $41.3M; and up 5% from 2012 when 21Jump Street took the top spot with $36.3M.
2021 wasn't an entirely heartening year for cinema. It wasn't an entirely heartening year for anything, really. So this year's notable films list is shorter than in the past. It's not ranked; the list goes in roughly the order I watched them, or in some cases the order in which I came to like them. The titles with links have reviews attached so you can follow my argumentation. The ones without you have to take my word on. There are a lot of films you'll see on other best-of lists that aren't here, and in many cases that could be because I just haven't seen a lot of them, and I am aware that a number of them might be right up my alley, and I suppose I look forward to catching up when I can. But for now, in the words of John Wayne in Rio Bravo, this is WHAT I've got.
Generate conversation about broadband access in your community with a screening of the short film, "Do Not Pass Go." We have created a helpful guide on how to host a screening of the film in your community. Spend some time connecting with others who share your questions about local options and want to learn more.
There have already been three screenings across the U.S. in Marietta, Ohio; Atlanta, Georgia; and Rochester, Minnesota. The community group Broadband & Beers has a planned screening for April 17th, 2018, in Boulder, Colorado. Let us know if you show the film in your town! 2ff7e9595c
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