42. Greater investment needs to be made in research aimed at understanding more fully the functioning of ecosystems and adequately analyzing the different variables associated with any significant modification of the environment. Because all creatures are connected, each must be cherished with love and respect, for all of us as living creatures are dependent on one another. Each area is responsible for the care of this family. This will require undertaking a careful inventory of the species which it hosts, with a view to developing programmes and strategies of protection with particular care for safeguarding species heading towards extinction.
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83. The ultimate destiny of the universe is in the fullness of God, which has already been attained by the risen Christ, the measure of the maturity of all things.[53] Here we can add yet another argument for rejecting every tyrannical and irresponsible domination of human beings over other creatures. The ultimate purpose of other creatures is not to be found in us. Rather, all creatures are moving forward with us and through us towards a common point of arrival, which is God, in that transcendent fullness where the risen Christ embraces and illumines all things. Human beings, endowed with intelligence and love, and drawn by the fullness of Christ, are called to lead all creatures back to their Creator.
242. At her side in the Holy Family of Nazareth, stands the figure of Saint Joseph. Through his work and generous presence, he cared for and defended Mary and Jesus, delivering them from the violence of the unjust by bringing them to Egypt. The Gospel presents Joseph as a just man, hard-working and strong. But he also shows great tenderness, which is not a mark of the weak but of those who are genuinely strong, fully aware of reality and ready to love and serve in humility. That is why he was proclaimed custodian of the universal Church. He too can teach us how to show care; he can inspire us to work with generosity and tenderness in protecting this world which God has entrusted to us.
To listen to Sarah Mary Chadwick's music is to be a quiet observer to her thoughts on love, death and mental health. Sometimes anguish bears itself in sullen, dreamy vs dreary moments, but more often torment manifests at the break of Chadwick's voice as she sings painfully vulnerable, self-aware lyrics. Pre-order her new 2 song 7" now and get 3 additional tracks as a download.
Not to harp on Leviathan but the sounds that came out of those GoPro cameras were pretty mindblowing. That\u2019s why I wanted to stick with them. They were harsh and noisy but very detailed in their noise, it was like whoa. On a different level, looking again to these older films, Manakamana. It was recorded by Stephanie Spray with just a stereo microphone in a gondola. It was just beautifully done and it was just this pair of mic capsules in a gondola. Hearing a radio playing in a village that they\u2019re passing over, or the birds that are down below\u2014all this depth and detail came through in that recording.
There\u2019s a lot that\u2019s impossible to know about this short LP because the information simply isn\u2019t present. First of which, where these recordings were made and who made them. You can work out that at least some of these recordings of birds come from France, simply because a parrot can be heard repeating a person saying \u201Cbonjour, coco\u201D on one of the tracks. If these recordings were made for research or pleasure, the packaging doesn\u2019t say. The date of release isn\u2019t even possible to figure out, with the year of 1955 listed on Discogs being nothing more than an estimate based on adjacent releases in the La Voix De Son Ma\u00EEtre catalog. I don\u2019t even know where the LP came from\u2014some guy on a torrent site found it by chance and ripped it, knowing nothing of its provenance himself. I held on to these files for years not only because they\u2019re pretty, but because I think these moments in time are worth preserving. I became protective of this record because someone decided to preserve its contents on a whim, and because everyone else that downloaded it almost surely forgot about it. I can\u2019t tell you a thing about why it should matter, and that\u2019s why it matters so much to me. \u2014Shy Thompson
Marshall Gu: For headphones only; the intimacy and strangeness get lost in the air. The songs that make up A Year Closer are not so much \u2018songs\u2019 as they are peeking through windows into a suburban home. The residents aren\u2019t there, so they go about their business, sometimes muttering to themselves and singing in a way that makes it feel like these songs aren\u2019t for you to hear, they\u2019re for them. Little snatches of tune you hum to yourself in the shower, or while making bread. Opener \u201CThe Mask Isn\u2019t Working\u201D is the creak of hardwood floors and inaudible words until near the end where a man says the title\u2019s words aloud, and so the title A Year Closer expands into its full unstated version: A Year Closer to Death. And everything afterwards carries an ominous weight. \u201CEvery step I take draws me closer to the ground,\u201D a woman says clearly on \u201CWork Last Monday\u201D while her husband enjoys his old American folk records, \u201CSomething is going to break soon.\u201D But I like this album more in theory than I do execution, as if someone took The Hissing of Summer Lawns very literally.[6] 2ff7e9595c
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